Cher recently opened up about her experiences with the late director Peter Bogdanovich, whom she worked with on the 1985 film Mask.
In a candid interview, Cher did not hold back, calling Bogdanovich “a pig” and expressing her frustration with his behavior during their collaboration.
She recalled that while Bogdanovich had been a respected figure in the film industry, his personal conduct left much to be desired.
According to Cher, his treatment of people, particularly on set, was far from respectful. She described him as being difficult to work with, citing moments where his actions made the work environment tense and unpleasant.
Cher’s criticism of Bogdanovich focused not only on his treatment of her but also on how he interacted with others.
She explained that he could be dismissive and condescending, often making decisions that caused friction among the cast and crew.
Despite his success as a director, having made films such as The Last Picture Show and Paper Moon, Cher painted a picture of a man whose personal demeanor did not align with his professional accolades. The experience of working with him left her feeling disillusioned, and she emphasized how it impacted her own experience on set. For Cher, it was a stark contrast to the positive relationships she had with other directors and actors throughout her career.
While Cher’s comments about Bogdanovich were harsh, she did not shy away from acknowledging his talent as a director. She recognized that his work on Mask had been integral to the film’s success, but this did not excuse the way he treated people on set. Cher’s reflection on the experience seemed to be a balancing act between recognizing his professional abilities and confronting the unpleasant reality of working with someone who was difficult and, in her words, a “pig.” She made it clear that her personal experience with Bogdanovich had colored her view of him, and despite the film’s success, their professional relationship was not one she would describe as positive.
Cher also spoke about the challenges of working on Mask, a film that required her to take on a deeply emotional role. Her character, a mother of a son with a rare facial deformity, was a complex and demanding part. The emotional weight of the role, combined with the difficult environment on set due to Bogdanovich’s behavior, made the project particularly challenging for Cher. She conveyed how, despite her commitment to her craft, the experience of working with someone who was not easy to get along with added an unnecessary layer of stress to the production. The film’s success, which included critical praise for Cher’s performance, seemed to stand in stark contrast to the behind-the-scenes turmoil.
Ultimately, Cher’s candid remarks about Peter Bogdanovich serve as a reminder that the professional world of Hollywood is not always as glamorous as it appears. Despite the public success of Mask, Cher’s experience on the film set reveals the complexities of working with difficult individuals. While her criticism of Bogdanovich may seem harsh, it is clear that she was speaking from her personal experience, one that involved navigating the challenges of working with a director whose talent did not compensate for his behavior. Her story highlights the importance of mutual respect in professional relationships, something she felt was lacking during her time working with the late director.
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